• The Belasco jacket is created from a dark green gabardine cotton. The weave is very tight and the treatment of the fibres give it a smooth look with a hint of natural sheen. Gabardine cloth was developed for the trenches of WWI in an effort to replace the heavy wool overcoats that held moisture and dirt rendering them inefficient. Lightweight but strong cotton gabardine proved to be superior and went on to become the foundation of early sport’s clothing. In particular fishing because a wayward hook would not catch on the flat gabardine surface as it would with a fibrous wool.

    The lining is a 50/50 viscose cupro twill; a high-quality and robust choice from Bernstein & Banleys, a British lining company founded in 1953.

    We offset the quilted cotton with black lip mother of pearl buttons. Taken from the troca shell, these dark buttons occasionally catch the light and harmoniously reflect the cloth they sit on.

    This jacket has elements of a blouson with its elasticated waist and looser fit through the waist. The softer tailoring is offset by an inset sleeve giving a structure to the shoulder area. The collar reinforces this idea with its angular rigidity. The front pocket is pleated and acts like an oversized storm pocket with its entry guarded by a welt to prevent rain accidentally dripping inside. The gabardine cotton from which we made the jacket lends a utilitarian slant with a slight but not overtly militaristic lean.

  • The fabric used on this Caplin jacket is unique to Jenny Schwarz. The 100% stone green cotton comes to us as any other fabric would. Before cutting the true pattern pieces we quilt over-sized versions using an in-house technique. Once quilted, the true pattern is cut and assembled as usual.

    The lining is a 50/50 viscose cupro twill; a high-quality and robust choice from Bernstein & Banleys, a British lining company founded in 1953.

    We offset the quilted cotton with black lip mother of pearl buttons. Taken from the troca shell, these dark buttons occasionally catch the light and harmoniously reflect the cloth they sit on.

    This Caplin jacket is a balancing act. We pick elements of formality from Dinner Jackets like the lack of vents and the shawl collar but construct them in unfamiliar cotton. Where wool would flow and drape with minimal creasing the cotton performs differently displaying its movement. As a counter balance the quilting gives a soft but rigid structure. The black lip mother of pearl buttons reflect the stone green of the cloth balancing a material often used in work wear.

  • Merino jersey is the epitome of both luxury and practicality among t-shirts. Merino is a wool that regulates body temperature, wicks moisture away from the body and both insulates and breathes. It is a fine example of how we have forgotten the existing power and inspired creation nature already supplies. The merino sheep that comes, originally from Spain, but more so today from Australia and New Zealand. In the days of Jenny’s great grandfather, adventurous sportsmen like him would have worn woollen base layers and many would have chosen a merino wool due to its inherent qualities.
  • Merino jersey is the epitome of both luxury and practicality among t-shirts. Merino is a wool that regulates body temperature, wicks moisture away from the body and both insulates and breathes. It is a fine example of how we have forgotten the existing power and inspired creation nature already supplies. The merino sheep that comes, originally from Spain, but more so today from Australia and New Zealand. In the days of Jenny’s great grandfather, adventurous sportsmen like him would have worn woollen base layers and many would have chosen a merino wool due to its inherent qualities.
  • Out of stock

    This Ferdinand jacket is assembled using cloth from one of England’s oldest and historied mills. The off-white merino melton wool comes from A W Hainsworth in Pudsey who, among other incredible stories, made the fabric for the Battle of Waterloo soldiers in 1815 and invented the colour Khaki. Merino wool has long been a mainstay in adventurous sporting pursuits due to its performance properties. It is a breathable, moisture wicking and body temperature regulating cloth that is so often emulated by modern sports fabrics.

    The lining is a 50/50 viscose cupro twill; a high-quality and robust choice from Bernstein & Banleys, a British lining company founded in 1953.

    We offset the merino melton with classic mother of pearl buttons. These off-white buttons occasionally catch the light and harmoniously reflect the cloth they sit on.

    This Ferdinand jacket in the A W Hainsworth off-white merino melton was created as part of a collaboration with the mill. It is an entirely unique piece shown at London Collections:Men and at the Concrete Studios Paris sales room to garner press attention for the collaboration and our brand. A W Hainsworth resonated with us because of the multi-purpose approach to their legacy. They create cloth for both practical and ceremonial cases, the former seen in firefighting, the military and transportation, the latter seen in guard uniform, theatre and even coffins. We felt they reflected the dichotomy we follow of Johan's precise and wild personality.

  • The leather we use for this Francis bomber jacket is a Portuguese cowhide. It is a relatively lightweight but extremely hardy leather which, like all good leathers, will don a personal and unique patina over time in line with its individual use. This piece should last you long enough for every owner to have a uniquely looking garment; one of the best rewards for leather jacket wearers.

    This lining is a 100% Viscose Military Twill, an extremely strong and durable lining seen in modern military uniform including the Queen’s Guards. It is made by the 65 year old British lining company, Bernstein & Banleys.

    To sit neatly within the black cowhide leather we use a black metal zip adding to the minimalism of the piece.

    The most interesting element of the piece is the broken and reformed structure of the pattern pieces creating a chevron paneled effect. Without being too showy the jacket is now individual and intriguing. The stitched lines and and seams where panels meet draw the eye from the centre of the jacket, out towards the shoulder; a technique seen in classic tailoring by the manipulation of peak lapels or the placement of a button.

  • This Francis bomber jacket is assembled using cloth from one of England’s oldest and historied mills. The cloth comes from A W Hainsworth in Pudsey who, among other incredible stories, made the fabric for the Battle of Waterloo soldiers in 1815 and invented the colour Khaki. The cloth itself is a navy barathea wool which holds that slightly textured hopsack weave and is extremely resilient making for a tough but elegant garment that will snap back into shape after wear. It's a lightweight barathea wool giving it more use for a greater part of the year.

    This lining is a 100% Viscose Military Twill, an extremely strong and durable lining seen in modern military uniform including the Queen’s Guards. It is made by the 65 year old British lining company, Bernstein & Banleys.

    The zip is antique brass in tone with a square ended slider. The metal is neither too shiny like nickel or gold zips and retains a traditional feel.

    With worsted barathea wool often employed in the construction of highly formal tailored garments like Dinner Jackets we thought it might play conversely well as one of the most iconic and popular casual jackets, the bomber. The light and natural sheen of the wool lends an air of quality but the most interesting element of the piece is the broken and reformed structure of the pattern pieces creating a chevron paneled effect. Without being too showy the jacket is now individual and intriguing. The stitched lines and and seams where panels meet draw the eye from the centre of the jacket, out towards the shoulder; a technique seen in classic tailoring by the manipulation of peak lapels or the placement of a button.

  • The black cotton drill that is used to make this Frank coat is substantial, tough and very hard wearing. The characteristic diagonal lines that run through the fabric give it a light texture on a minimalist design. Cotton drills have been historically used for clothing that took abuse, most prominently older military pieces and workwear.

    This lining is a 100% Viscose Military Twill, an extremely strong and durable lining seen in modern military uniform including the Queen’s Guards. It is made by the 65 year old British lining company, Bernstein & Banleys.

    We offset the black cotton drill with black lip mother of pearl buttons. Taken from the troca shell, these dark buttons occasionally catch the light and harmoniously reflect the cloth they sit on.

    The heavy drill of this coat is offset by the flowing lines of its unstructured style. Instead of a shoulder seam holding an inset sleeve, panels extending from the neck seam make up the sleeve creating a smooth shoulder that follows the body, much like a raglan sleeve. One large pleated pocket sits on the wearer's right hand side acting like an over sized storm pocket. Only the sharp collar remains to remind us of tailored structure giving the coat an injection of formality.

  • The Madison jacket is created from a navy gabardine cotton. The weave is very tight and the treatment of the fibres give it a smooth look with a hint of natural sheen. Gabardine cloth was developed for the trenches of WWI in an effort to replace the heavy wool overcoats that held moisture and dirt rendering them inefficient. Lightweight but strong cotton gabardine proved to be superior and went on to become the foundation of early sport’s clothing. In particular fishing because a wayward hook would not catch on the flat gabardine surface as it would with a fibrous wool.

    The lining is a 50/50 viscose cupro twill; a high-quality and robust choice from Bernstein & Banleys, a British lining company founded in 1953.

    We offset the gabardine cotton with black lip mother of pearl buttons. Taken from the troca shell, these dark buttons occasionally catch the light and harmoniously reflect the cloth they sit on.

    The Madison jacket is a very forgiving and wearable garment. The strong, durable cotton gabardine lends a utilitarian note to a jacket which is ultimately practical against wind and rain. The shoulder is made soft by the manipulation of pattern panels that run from the neck seam and down the sleeve creating an inverted 'T' shape. Much like a raglan sleeve it follows the shoulder's curves rather than the more defined, angular shaping of an inset sleeve. The top pockets are also of interest as they sit flush with the body rather than sitting on top like a traditional 'patch' pocket.

  • This Marlin jacket is made using a medium grey brushed cotton. Essentially the fibres have been lifted and treated to leave the surface smooth and velvet-like to the touch. This same procedure allows the cotton a very slight sheen and stops the cloth from absorbing light and appearing flat.

    The lining is a 50/50 viscose cupro twill; a high-quality and robust choice from Bernstein & Banleys, a British lining company founded in 1953.

    We offset the grey brushed cotton with black lip mother of pearl buttons. Taken from the troca shell, these dark buttons occasionally catch the light and harmoniously reflect the cloth they sit on.

    The idea behind the grey brushed cotton Marlin jacket is to run that fine line between polar opposites. A formality is introduced in the form of the shawl collar and a ventless hem, both of which are common design features on Dinner Jackets. These ideas work in contrast to the grey brushed cotton, firstly because grey is a colour associated with work suits and cotton is a cloth typical of vintage work wear. In a single design these ideas work harmoniously to create a versatile jacket

  • The main body of this Marlin jacket is created from a navy gabardine cotton. The weave is very tight and the treatment of the fibres give it a smooth look with a hint of natural sheen. Gabardine cloth was developed for the trenches of WWI in an effort to replace the heavy wool overcoats that held moisture and dirt rendering them inefficient. Lightweight but strong cotton gabardine proved to be superior and went on to become the foundation of early sport's clothing. In particular fishing because a wayward hook would not catch on the flat gabardine surface as it would with a fibrous wool.

    The shawl collar is created with a navy barathea wool from one of Englands most historied cloth mills, A W Hainsworth, who, among other incredible stories, made the fabric for the Battle of Waterloo soldiers in 1815 and invented the colour Khaki.

    The lining is a 50/50 viscose cupro twill; a high-quality and robust choice from Bernstein & Banleys, a British lining company founded in 1953.

    We offset the navy gabardine cotton with black lip mother of pearl buttons. Taken from the troca shell, these dark buttons occasionally catch the light and harmoniously reflect the cloth they sit on.

    The idea behind the Marlin jacket is to run that fine line between polar opposites. A formality is introduced in the form of the shawl collar and a ventless hem, both of which are common design features on Dinner Jackets. These ideas work in contrast to the navy gabardine cotton with its smooth, flat surface and utilitarian history. The A W Hainsworth navy barathea collar lifts the jacket adding some needed texture.

  • This Nestor jacket is assembled using cloth from one of England’s oldest and historied mills. The black melton wool comes from A W Hainsworth in Pudsey who, among other incredible stories, made the fabric for the Battle of Waterloo soldiers in 1815 and invented the colour Khaki. The cloth itself is a hardy, thick wool with a twill weave. The twill appearance is lost beneath the felted surface texture which is soft to the touch. The short melton fibres allow for a very slight but natural sheen.

    We chose a 100% diamond quilted cotton lining to add warmth for colder months.

    We offset the enduring wool with black lip mother of pearl buttons. Taken from the troca shell, these dark buttons occasionally catch the light and harmoniously reflect the cloth they sit on.

    Black melton is synonymous with the working man’s donkey jacket, while scarlet melton hunting coats have long been a symbol for the upper classes. Its use cases are unsurprising because the cloth is wind and water resistant and very robust. It was intriguing for the same cloth to have connotations with each end of the social scale and pleasant to note that the same properties were enjoyed by both. Our design is utilitarian instead of ceremonial and utterly timeless. The natural light sheen of the A W Hainsworth melton beside the mother of pearl buttons nudge the jacket away from literal work wear.

Go to Top